| INTERVIEW >
Jan Kraus: "No one is going to disparage
me!"
Written by: Monika Mudranincová & Klára Smolová
Photo by: Vojtěch Vlk
Deified and despised. An intelligent, quick-witted and witty artist
who became a tribune of the nation. He brushes aside the current
establishment, and tries to bring political satire to life. And
people listen.
You've been an actor, a playwright, a director, a moderator, and
a commentator. What's closest to your heart?
My favorite thing is changing roles. And most of the time it happens
by chance. My entire family emigrated, so we communicated by writing.
My work as a commentator was based on my writing. I was interested
in politics and political issues back in the time of the communist
regime. I was a master of the phrases of the times, and I used them
to argue my case when the police apprehended me. I shouted on the
street that they should understand the conclusions of the latest
session of the Central Committee, and that I would like them to be
taken into consideration as they went over my papers (laughs). The
theater was also created by chance. Thanks to my momma, an amateur
actress, I became a member of a drama club, and I was a terribly
busy pioneer who was "borrowed" for various events. The
thing I like best about theater is its ability to reflect the latest
happenings and the state of society. All this also led me to write
the play.
So you have exhibitionist tendencies?
I don't know, but I like to dig at the boundaries of social customs
that I deem sick. The bourgeois are the subject of my relentless
attacks, because they're dangerous. A bourgeois person screams, "Conform,
behave correctly, don't interrupt, wear a tie!" while he
steals and lies. He tries to drag you down to his level. And
our post-communist society is ultra-bourgeois.
Your criticisms step on a lot of people's toes. So you probably
don't have many friends. Does that bother you?
It's a matter of choice. Any time you express an opinion you gain
enemies. So many local artists remain obdurately silent. If you
ask them about Iraq they decline comment. Either they don't know
where it is, or they don't know what's happening there, or they're
afraid of speaking their minds. But it's not important if my opinion
is right. People should talk about things whether they're true
or not, because there should be a minimum of taboos. We live in
a society where the media are servile to those in power. I think
this is perfectly analyzed in the book, The Power and Impotence
of the Media, in which Rupnik says that they (the media) are servile,
perhaps because they expect inside information as a premium from
politicians. He utters a very clever idea: that inside information
in politics is of zero value, as only public statements are important.
You say that "politics is something people should get involved
in at the end of their lives, when their desire to accomplish something
in life has already been satisfied." Don't you think it will
take at least one, or more, generations to change that?
Absolutely. It's good to understand that. It was painful for me
to come to this realization, because I thought things would move
faster. As they say, habit is second nature. And that applies to
more than habits, it involves social mechanisms and schemes. And
the greater the people's will is to do away with it, the sooner
it will happen. The problem is, people don't have the courage.
If we look at the political situation in, say, France or the US,
we can see that there's nothing unique about us, wouldn't you agree?
Sure, people steal a lot everywhere. It's a world-wide problem
- even the monarchs were profiteers. But we have to be clear about
one thing: politicians must not be connected to the media; they
should be terrified of them. The media must stand unambiguously
on the people's side, and any racket should be issue number one
for them. The normal world must be detached from politics, but
politicians influence the market, and that's a catastrophe. For
example, Telecom. When it wasn't sold, it belonged to the state,
and look at the situation with the internet here. It's a political
responsibility, and someone has to say to the politicians, "You're
responsible for our being made idiots of, and we're behind because
of you!" But the media are the voice of the citizenry, and
when they shut up, so does the citizenry.
What do you think a citizen should do to avoid exposure to the
disparagement of politicians and officials?
No one has ever disparaged me. No one ever will. When I was fifteen,
my rule was to address anyone in the familiar who addressed me
that way. You can't imagine the results. A waiter would say, "what'll
you have, kid?", and I'd say, "bring me a svíčková, buddy." And
he'd gape. When I went for my draft physical someone said, "Kraus,
kid, where's your questionnaire?", and I replied, "here
it is, pal..." (laughs). He was thunderstruck. This doesn't
mean I'm overly self-confident, it's just normal to not let anyone
treat you like dirt.
| A
life in numbers |
| 1953 |
born 15 August
in Prague |
| 1963-89 |
acted
in many unforgettable children's and adult films
and plays, and since 1971 acted on a freelance
basis. Has acted only sporadically since 1990 |
| 1990-94 |
completed a course
in accounting and tax consulting, engaged in business,
and organized trade fairs (representative of Fiera
Rimini and Fiera di Bologna) |
| 1995 |
premiere
of his play, Nahniličko, in which he acts to this
day at the Kalich theater |
| 1996-2002 |
began to present
various satirical programs and talk shows such
as "Overtime", "From the Life of
Animals" (on ČT), "Sauna" or "Next,
Please" (TV Prima) |
| 2003 |
author of screenplay and
director of the film Městečko; awarded "critics
choice" by Variety at Karlovy Vary Film Festival
and nominated for FIPRESCI |
|
What about going into politics, instead of criticizing from without?
No, no. Parliament - it'd be like going back to school. Rummaging
through paragraphs? I'm too good for that. There's plenty of
time for politics, it's entertainment for old-timers. Then it's
good for you, since you don't have any venal desires. Also, you
don't get as angry, you're more calm. So you might say that just
before you die, you're in an ideal state for a political career.
I don't fault anyone for wanting to go into politics, it's meritorious
when it's done honestly. But as we can see, the parliament isn't
anything but a mirror of ourselves. That's what we are. It's
painful but true.
Why in your opinion is modest mediocrity valued more highly than
a sharply outspoken personality?
Havel recently said that he has a strong ambition to present
the state citizen as a model. A state citizen is a person who
pays
taxes, goes to work, keeps quiet, votes... in short, he causes
no problems. He holds his tongue, produces, and obeys. Havel
is right on the money. This is where we are after fifty years
in a
pathological environment. Defective models will be passed on
for years. Cleansing will be slow, if it happens at all. As I
say,
if it isn't amusing, no one will live here. Why should they?
People can multiply anywhere. What does freedom mean to you?
Freedom is a daily condition, when I can express myself, in terms
of both content and manner, and I can affect what I want to affect.
But I'm limited by the law. Freedom is a very broad term, compared
with what we enjoy here. Here everyone is a subordinate - be
circumspect, don't open your mouth, it's not worth it. Everyone
is in debt and has to consider how they will pay it off. So their
framework of freedom is even more limited. If I had to pay with
my freedom, I simply wouldn't take out a loan.
You took part in the campaign for Czech accession to the EU. In
a month we'll be a full member. Are you satisfied?
This is the right time for the EU. We live in a country that's
still isolated - not in terms of geography, but rather in terms
of psychology, intellect, and habits. I hope the fatuous politicians
will very soon realize that national identity can be demonstrated
either through culture or through uniforms. From the way they now
support culture, it looks like they'll opt for uniforms. Culture
is in a sorry state here. There is a certain post-communist irreverance
towards art, which is confused with show business. They say culture
should compete on the market, and if someone wants money to stage
an opera, they argue that Lucie Bílá doesn't need it. That's mind-boggling.
What did you think about what was happening in regard to our Euro
Commissioner election?
With respect to this little nonentity, you can see what problems
we have. Kužvart went to the EU and discovered they don't speak
Czech there. It will surprise many more politicians to learn that
Czech isn't an international language. Telička is better prepared
for this work than almost anyone else. He spent two years in the
communist party, and that certainly doesn't make him look good.
But he's more than made up for that through his service to the
state. And the president says that his communist party membership
characterizes him, even though his own party is full of Bolsheviks.
How would you describe yourself in a few words?
Jan Vladimír Kraus. For your entire life you have but one trademark
- your name. That's why it's inscribed on your grave.
|